Archive for the ‘Stained Glass’ Category


How to Decorate With Stained Glass

Wednesday, August 25th, 2010

When you’re learning about something new, it’s easy to feel overwhelmed by the sheer amount of relevant information available. This informative article should help you focus on the central points.

Once upon a time, thousands of years ago, stained glass was used only in grand Cathedral windows to bring in sunlight and illuminate the “hearts of men”. Many years later, wealthy aristocrats added the elegance of stained glass windows to their mansions and palaces. These days just about anyone can decorate their home with the beauty and elegance of stained glass. Back in the 18th century, stained glass artists like Tiffany and La Farge changed the face of stained glass and proved that the medium could be used for more than just windows. Light fixtures, lamps, picture frames and mirrors lined with stained glass are all beautiful additions to almost any home or business.

Where should you add stained glass? The entryway to the home is a good place to begin as this is where your guest’s first impression is made and it is also the first sight welcoming you home each day. Stained glass will add color and style to an otherwise boring door and window pane in your entryway. The stained glass will allow light in while adding very desirable privacy to your home. Modern stained glass comes in a variety of styles and colors and can easily be matched to any décor whether modern or classic.

Living rooms can benefit from unique and beautiful Tiffany-style lamps. Choose a color and style that compliments your upholstery, carpet and wall colors or go for a highly contrasting eclectic look. The stained glass lamp can simply blend in and be a useful source of light for reading or it can be the added bit of character that serves as a “conversation piece” in the home. Either way “a thing of beauty is a joy to behold” so add some joy to your living space!

The dining room is a great place for a stained glass chandelier. Beveled edges and translucent colors will add interest and excitement to your table setting. Lighting certainly sets the mood for the dining room and stained glass provides just the right feel. Food even seems to taste better when served in beautiful surroundings, don’t you agree?

Those of you not familiar with the latest on Stained Glass now have at least a basic understanding. But there’s more to come.

The bathroom can be accentuated with a beautifully stained glass framed mirror and/or Tiffany-style light fixtures. How about a jewel-look stained glass soap holder? Use one of the main colors in the stained glass to match your towels, toothbrush holder, shower curtain and soap dispenser to for a fabulous, elegant rich look. These items don’t need to be expensive and your bathroom will look like it belongs to the Vanderbilt’s!

A beautiful stained glass window over the kitchen sink would certainly make doing dishes more enjoyable. Casual meals in the breakfast nook would seem more extraordinary when surrounded by beautiful stained glass. Dishes in one of the jewel-tones of the stained glass and a contrasting jewel-toned tablecloth would pull the look together nicely.

Saving the best for last…the bedroom! Beautiful stained glass lamps gracing the nightstands on either side of the bed could help to set the mood. A stained glass vase or jewelry box on top of the dresser could be just the touch you need.

There are so many ways to decorate with stained glass. You could easily put a stained glass piece in every room of the house either to compliment your decorating theme or even AS your decorating theme. Let your imagination run wild and enjoy your newfound love of stained glass.

That’s how things stand right now. Keep in mind that any subject can change over time, so be sure you keep up with the latest news.

About the Author
By Anders Eriksson, feel free to visit his new GVO affiliate site: GVO

Stained Glass Lead Came Technique

Thursday, August 19th, 2010

So what is Stained Glass really all about? The following report includes some fascinating information about Stained Glass–info you can use, not just the old stuff they used to tell you.

The lead came method of stained glass construction gives an appearance of uniform lines and an antique look. The lead channel is wrapped around the glass and then joined at the “seams” or joints by a bead of solder.

Lead came, used for joining pieces of stained glass, comes in one channel, called “U came,” or two channel, “H came,” strips about six feet long. “U” lead strips are used to frame the outside edges of stained glass, especially on small suncatchers or ornaments with only two or three glass pieces. In larger stained glass projects, the “H” lead strips are used to join two pieces of glass together, placed inside the grooves.

Stretching the lead strips before fitting it around the stained glass makes the lead more rigid and stronger. Some lead is pre-stretched, but might have acquired some kinks or bends in packaging, so you may want to stretch it a little to get the kinks out. Do not over-stretch as it will narrow the grooves in the channel, making it too narrow to fit around the stained glass. Lead that is stretched too much will break.

The lead is soft enough that after fitting it on the stained glass and making sure that you have good connections, you can easily cut it with lead nippers, a lead knife or even scissors. Be careful to make sure the joints you have cut butt so that it will be strong throughout the stained glass piece. Filling gaps between the joints takes a lot of solder and makes the joints look sloppy and unprofessional.

Your stained glass work will be laid on a pine board, beginning at two strips of wood nailed at right angles to each other. These wood strips will act as a support for your project. Your alternating pieces of lead and stained glass will be temporarily held in place by horseshoe nails as you progress across your stained glass pattern.

If you base what you do on inaccurate information, you might be unpleasantly surprised by the consequences. Make sure you get the whole Stained Glass story from informed sources.

Each piece of stained glass and the lead strip around it has to fit within the pattern lines before you move on to the next piece. If one piece is too large and crosses over the pattern line, then every other piece will be off and your entire stained glass piece will be off.

Before you begin soldering the lead joints on your stained glass project, you should practice on some scrap pieces of lead first. Lead melts so you want to check your soldering iron’s temperature on the lead scraps first. If it is too hot, a rheostat can lower the temperature enough to prevent unwanted melting of the lead. A 40 watt soldering iron is hot enough.

Before you solder the lead joints, prepare the metal with flux, then move your soldering iron tip quickly over the lead, creating a pool of the 60/40 solder. The pool of lead should smoothly flow over the seams and lie flat. It is not necessary to raise a big ball of solder at the joints.

Solder all joints on both sides of your stained glass panel. Clean the flux away with warm, soapy water. Reinforce the stained glass panel by forcing a glazing compound or putty into the lead channels. Clean away all excess putty with whiting or sawdust, and then a soft cloth.

Another method of joining stained glass, created by Louis C. Tiffany, is the copper foil method of stained glass construction. The glass crafter can choose which method he/she prefers based on each individual stained glass project. Both methods of stained glass construction generally work equally well.

Of course, it’s impossible to put everything about Stained Glass into just one article. But you can’t deny that you’ve just added to your understanding about Stained Glass, and that’s time well spent.

About the Author
By Anders Eriksson, feel free to visit his new GVO affiliate site: GVO

Designing Your Own Stained Glass

Wednesday, August 18th, 2010

Creating works of art in stained glass in an immensely satisfying and interesting hobby. To get started you might decide to take a class or grab a couple of how-to books and prepare for a little trial and error. Either way, your first few projects will probably be made either from a pre-made kit or with a pattern from a book or printed from a website. You may soon decide that you are ready to create your own stained glass design and bring it to life. Although the idea may seem daunting at first, you will soon find the challenge inspiring and realize that designing your own stained glass is not as difficult as you first thought.

All stained glass art projects, big and small begin with a cartoon. The cartoon is a drawing on paper of what you would like your stained glass artwork to look like. The fact that you are translating your artwork into a stained glass piece provides some extra challenges. You will have to take into consideration the strength and integrity that the different sized pieces of stained glass will create. You will need to keep in mind the copper or lead “skeleton” that is created by your came. This skeleton needs to be thought of as not only a strength or support to the stained glass, but an integral part of the design itself. This can be an advantage as you are forced to stretch your creativity and add extra lines where you might not have initially considered, unexpectedly adding more depth to your design.

Sometimes the most important aspects of a subject are not immediately obvious. Keep reading to get the complete picture.

There are many places you can and should look for inspiration for your stained glass design. You will find many books and websites about stained glass from which you may find ideas. Paintings, magazines, your home furnishings or any interesting pattern you see may provide insight. Your stained glass art may be a scene from a family photo, a familiar landscape or a completely abstract design.

Once you have decided on a design for your stained glass it is time to draw it out on paper. Think of the size your finished piece will be and draw the perimeter and begin planning the stained glass design within it. Once you have made the initial drawing, look it over and think about whether any of the pieces will be too difficult to cut and consider changing the lines slightly to avoid difficult cuts. Remember that smaller pieces with more leading between them will make the stained glass stronger, so consider adding lines in areas that are too large. When working on your first design, keep it simple so you can gain experience and build your confidence before moving on to more difficult pieces. Remember that even the great American stained glass artists like Tiffany and La Farge started with small jobs before they adorned America’s great churches!

Once you are satisfied with your pencil drawing, ink it in and make several copies. You will need one for cutting the stained glass design out and at least one other for checking that the pieces fit together. When placing your pattern pieces to cut your glass take into consideration any irregularities or streaks in the glass and consider how to use them to your advantage such as a streaky blue being used for a cloudy sky. Most importantly, relax and trust you intuition. Your stained glass will be a one-of-a-kind and an expression of your unique personality.

Knowing enough about Stained Glass to make solid, informed choices cuts down on the fear factor. If you apply what you’ve just learned about Stained Glass, you should have nothing to worry about.

About the Author
By Anders Eriksson, feel free to visit his new GVO affiliate site: GVO

How to Buy Stained Glass

Wednesday, August 18th, 2010

Would you like to find out what those-in-the-know have to say about Stained Glass? The information in the article below comes straight from well-informed experts with special knowledge about Stained Glass.

If you have a retail stained glass shop, you probably already have a wholesale account set up with a supplier like Ed Hoy’s or Delphi Glass, but what if you don’t have a shop and you are a stained glass hobbyist? There are several places you can go to buy stained glass.

You can establish a retail account with some of the same stained glass supply companies with which retail stores set up their wholesale accounts. Most require credit cards to pay for your purchases if you order by phone from their stained glass catalogs. Some allow you to pay by check, but wait until the check has cleared before they ship your stained glass order.

Stained glass magazines are full of advertisements for stained glass suppliers and you can search on-line. The magazine advertisements and articles also show pictures of some of the stained glass available so you get an idea of what the different types of glass look like. The stained glass suppliers’ catalogs have color pictures of all the glass and colors they offer. The only problem is that you can’t get a true feel of the glass and see exactly how it looks with natural light going through it.

If you can visit a stained glass warehouse, you will be able to see for yourself the many colors and textures of stained glass. This will help you so you know in the future what you are ordering. Be sure to call the stained glass wholesale warehouse or store before you travel there to be sure that they are open. Some wholesale stores only allow people with wholesale accounts in their warehouses by appointment; some have certain days when retail buyers are allowed.

Hopefully the information presented so far has been applicable. You might also want to consider the following:

There are many types, textures and colors of stained glass from which to choose. Sample boxes from different stained glass manufacturers can be purchased, but are very expensive and not practical for a hobbyist. You can create your own sample box by cutting squares or rectangles of about 1″ x 2″ of the glass that you do purchase along the way. Label them with the manufacturer’s name, the color, and the universal order number which stands for the name, color and texture.

When you order stained glass by phone or by mail order, the glass can be sent to you in 12″ x 12″ sheets or up to 1/2 sheets. Most full-sized stained glass sheets are 24″ x 48″ and do not ship well, so they have to be sent by freight truck, which is quite expensive. If you order over $1,000 worth of full-size stained glass sheets for your retail store, you can offset the cost of freight through your retail pricing. If you are a hobbyist, it isn’t practical.

You can purchase most of the stained glass you need through a local retail stained glass shop. Some will special order glass for you, but don’t be surprised if a small shop owner cannot accommodate you by special ordering a piece of stained glass. Wholesalers require them to meet minimum dollar amounts and the small stained glass shop or studio owner probably will not be able to meet that minimum based on your needs, alone. Stained glass shops with a larger client base will place stained glass orders more frequently. You might have to wait until the shop has a large enough stained glass purchase order.

Stained glass varies in texture and color. Your supplier may not be able to match additional stained glass sheets; so, purchase all the stained glass for your project at the same time.

Don’t limit yourself by refusing to learn the details about Stained Glass. The more you know, the easier it will be to focus on what’s important.

About the Author
By Anders Eriksson, feel free to visit his new GVO affiliate site: GVO

Turn Your Stained Glass Hobby into a Fun Job

Monday, July 26th, 2010

You have honed your stained glass construction skills and have given all your friends and family stained glass gifts for every occasion. Why not earn back some of your expenses and more? You can and you can have fun doing it.

Most stained glass hobbyists find that they have several beautiful stained glass suncatchers, candle votives and other small projects on hand. They often test the waters by beginning with booths at craft fairs and other similar events. Most small booths at craft fairs are reasonably priced. You don’t have to spend a lot of money for an elaborate setup.

If your booth is indoors, a few bright lights shining on your stained glass items will enhance their beauty and attract attention. It is best if you can hang the suncatchers, so you could build a portable frame topped with lattice work and hang them with plastic fishing line. Be sure to weight the frame down if you are outdoors. One gust of wind can destroy all of your work.

Make sure you have good strong boxes and plenty of packing material to transport your stained glass projects to and from your craft shows. If you pack carefully you will prevent accidents and broken stained glass items. If your vehicle isn’t large enough to haul everything, you might consider borrowing or renting a small trailer; but it is best to keep your expenses as low as possible. The idea is to make a profit.

Some stained glass crafters build projects all winter then travel to craft shows all spring, summer and fall. They find that they do well in sales and enjoy meeting people and traveling. They may include shows during the Christmas shopping season because stained glass articles make excellent gifts and stocking stuffers and sell well as last minute gift items.

It’s really a good idea to probe a little deeper into the subject of Stained Glass. What you learn may give you the confidence you need to venture into new areas.

Selling stained glass items on eBay and on-line websites can be done year around and from home. This way the stained glass crafter can sell on speculation or by special order. The advantage to selling on speculation is that you can choose the project you want to do and not worry about deadlines or meeting anyone’s specifications. You can work at home in your own personal workshop and then list the items online when you have completed them. Be sure to include a photo with your listing to optimize your chances of selling.

Pack the sold stained glass items carefully for safe shipping and require insurance so that if an item is broken in shipping, the customer will be happy to come back to you and you will be paid for repair or replacement of the broken stained glass project.

Repair and reconstruction of stained glass is a more specialized area of stained glass work that customers look for but have a hard time finding artisans willing to do that kind of work. You can create a special niche for income if you become expert at stained glass repair and construction.

Opening a stained glass retail store is an expensive venture. If you can purchase one that is going out of business, it might be more within your budget and you would be inheriting an existing customer base.

Teaching stained glass classes in your home studio or even as non-credit classes at your local university is good income and lots of fun. You can even have students learn as they help you work on a large stained glass project. You get paid by the student and paid for the stained glass project and be paid for having fun!

Is there really any information about Stained Glass that is nonessential? We all see things from different angles, so something relatively insignificant to one may be crucial to another.

About the Author
By Anders Eriksson, feel free to visit his new GVO affiliate site: GVO

Stained Glass Artisan, Louis C. Tiffany

Saturday, July 24th, 2010

Louis Comfort Tiffany (1848-1933) is associated with Art Nouveau style stained glass lamps and windows. He was nicknamed “Rebel in Glass” because he ventured into many avenues of art glass. He founded Tiffany and Company soon after the Civil War and employed several artists to carry out his artistic ideas.

Tiffany had studied painting in Paris and when he returned home, he studied Medieval techniques in glassmaking. From his experimentation of many techniques of glassmaking, he came up with his beautiful “drapery” stained glass which he used to represent the folds and ripples in the robes and gowns of figures in his stained glass windows.

Tiffany’s first figure stained glass window was built in 1878 using opalescent glass from the Heidt glasshouse. He made his first glass tiles at Heidt glass house, his factory in Brooklyn. Tiffany’s stained glass designs were unique and constructed with an aim for stability so that they would last and be enjoyed for generations.

Much of Tiffany’s work no longer exists. Without a thought, people threw away Tifffany stained glass lampshades; and, church and cathedral stained glass windows have been destroyed over time. Some of Tiffany’s stained glass lamp shades, when found, are now valued up to tens of thousands of dollars or more.

Tiffany’s stained glass products were not intended to be mass produced but, rather, were created for individuals or church memorial gifts. Probably only less than half of Tiffany’s stained glass products are still in existence. Those are mostly already in museums or are kept by prominent collectors. So, it is unlikely for you to accidentally run across a Tiffany stained glass lampshade or stained glass window panel that will make you wealthy.

If your Stained Glass facts are out-of-date, how will that affect your actions and decisions? Make certain you don’t let important Stained Glass information slip by you.

Tiffany was an avid painter who painted all his life. His painting ability was very useful to him in designing his significant stained glass windows. His “cartoons” were not merely patterns on paper, but often they were full-size oil paintings on canvas. For Tiffany, stained glass windows were simply another form of painting.

Interestingly, Tiffany’s stained glass windows for public buildings were signed, but stained glass windows he built for individual homes were not signed. He thought the families who lived in the homes would be able to attribute to the fact that he or his company had made their stained glass windows. This has caused problems proving stained glass windows were his.

One of Tiffany’s better known designs was the Wisteria Table Lamp (c. 1900) of which many reproductions have been made. The beautiful stained glass lamp shade is a resemblance of a vine, leaves, and wisteria blossoms dripping all over in beautiful colors.

Tiffany’s stained glass works can be seen in various places. One such place is the Charles Hosmer Morse Museum of American Art at Rollins College in Winter Park, Florida where the interior of the chapel Tiffany designed is assembled. It had been designed for the 1893 World Columbian Exposition in Chicago. After the exposition, it had been stored in Tiffany’s mansion until the mansion burned down. The chapel parts and all its stained glass windows were salvaged and rebuilt in the museum at Rollins College.

There are several of Tiffany’s stained glass windows in New Jersey. Stained glass windows at Saint James Church in Fordham, Bronx, New York represent some of Tiffany’s best work from the late 19th century through 1929. Other Tiffany stained glass works can be seen at the Metropolitan Museum of Art in New York, City.

Many references to locations where Tiffany’s stained glass windows and other art can be seen can be found online.

About the Author
By Anders Eriksson, feel free to visit his new GVO affiliate site: GVO

Stained Glass Workshop Safety Tips

Wednesday, July 14th, 2010

The best course of action to take sometimes isn’t clear until you’ve listed and considered your alternatives. The following paragraphs should help clue you in to what the experts think is significant.

Whether you are an experienced or new stained glass crafter or artisan, it is important to think about safety in your stained glass workshop or studio. There are the obvious hazards of working around glass, but tools and chemicals can also be hazardous.

When you go to your stained glass supplier, do not bring small children. There is too big of a risk of being cut by glass and being exposed to toxic fumes, dust and lead. Most stained glass warehouses post signs requesting that small children do not go into areas where the stained glass is stored. Your local retail stained glass dealer would appreciate not having the stress of having a “bull in a China shop.”

When carrying sheets of stained glass, wear gloves that help you have a good grip on the glass. The gloves should protect your hands from cuts from the razor sharp edges of the stained glass. Grip the glass on each side. Carrying it with one hand on top and one on bottom creates a hazard that the glass could snap in two. If you grip from each side and the sheet of stained glass breaks, you have a better chance of letting the glass slip away from you without being cut.

When scoring and breaking stained glass at your workbench, wear protective eyewear and gloves. Be careful not to use your hand to swipe glass shards out of your way. Keep a bench brush and dust pan handy so that you can frequently brush off your workbench. This will reduce accidents and also keep a smooth surface to work on. The tiniest glass shard under a piece of stained glass that you are scoring can cause the piece you are working on to have an unwanted break.

Never use a glass grinder without protecting your eyes. Glass particles can fly up into your eyes and cause terrible pain and may permanently damage your eyes. Most glass grinders are equipped with face shields or face shields can be purchased separately.

You may not consider everything you just read to be crucial information about Stained Glass. But don’t be surprised if you find yourself recalling and using this very information in the next few days.

While grinding your stained glass, wear goggles that shield your eyes from all sides to prevent glass particles from getting in your eyes from underneath since the grinder is below eye level. It would also be a good idea to wear a paper mask to prevent breathing in the glass particles and dust that could be harmful to your sinuses and lungs.

When leading the stained glass pieces, wear gloves to protect you from exposure to lead poisoning. If you have cuts on your hands, cover them with band-aids. Pay careful attention to your hot soldering iron. Don’t look away and reach for your iron. You might grasp the wrong end of the iron . . . the end that is several hundred degrees hot!

Make sure that your area is well ventilated when you are soldering. Fumes from solder and flux contain harmful lead and acid. Solder scraps should be kept in a special container for taking to a recycler.

Sometimes new stained glass crafters don’t have a workshop and think they can begin by working at their kitchen table or counter. That is a definite risk of exposing you and your family to lead poisoning, chemical contamination, and hazards from the shards of stained glass. It would be better to set up a space in your garage or an unused room. Some stained glass shops will allow you to rent bench time.

Common sense and a clean stained glass workshop will help keep you safe and add to your enjoyment of the art of stained glass.

Now you can understand why there’s a growing interest in Stained Glass. When people start looking for more information about Stained Glass, you’ll be in a position to meet their needs.

About the Author
By Anders Eriksson, feel free to visit this new site for my swedish customers: Billigt Webbhotell - from SEK 10:- per month!

Stained Glass Projects for Children

Tuesday, July 6th, 2010

The more you understand about any subject, the more interesting it becomes. As you read this article you’ll find that the subject of Stained Glass is certainly no exception.

Stained glass is a beautiful art form that combines the use of various colors, shapes, textures and transparencies with light to illuminate, decorate and inspire the mind, spirit and eye of the beholder. Children have always been, and will always be, fascinated with shapes and colors which makes the art form of stained glass perfect for them.

Unlike a coloring book page which is colored once and then maybe taped to the refrigerator for a few days before finding its way to the garbage can, a stained glass creation can bring enjoyment and help boost a child’s self-esteem for many years to come. There is nothing better than a beautiful constant reminder of the child’s great “achievement”.

In its early days, long before Christ was born, stained glass was made by mixing different metals with sand and soda and heating them at high temperatures so that the colors were actually a part of the glass. This type was thicker and the colors were rich and dark. Throughout the decades styles and tastes changed and new ways of using stained glass were needed. As people wanted to get more detail in their stained glass windows and also allow more light in, they began to use the technique of painting on the glass, rather than mixing the colors into while making it. This would be the easiest way to introduce a child to the art of stained glass. Many craft stores and mass marketers carry ready made stained glass kits that allow the child to make beautiful sun catchers or Christmas tree ornaments.

It’s really a good idea to probe a little deeper into the subject of Stained Glass. What you learn may give you the confidence you need to venture into new areas.

These kits are very easy to use. Most have kid friendly designs with raised metal borders and the child can use an eye dropper to add a stain to the different areas of glass. These kits are basically fool-proof and allow the child to easily create something beautiful without any smudges or smears.

Another idea to capture the feeling of stained glass is to use black colored paper as your “lead came”. You will need to go through two sheets at once to create your design with various shapes cut out. You may use either thin colored crepe paper or two sheets of waxed paper that have had crayon shavings ironed between them as your “stained glass”. This is something that can be created easily with objects you probably already have laying around the house.

Children love to learn and using a stained glass project provides the opportunity to teach them on a variety of topics such as art appreciation, the history of religion, architecture for the older students and things as simple as colors and shapes for pre-school and kindergarten ages children. Any project that allows a child to be creative, spend time with their parents and develop their self-esteem is worthy of taking into consideration and stained glass craft making certainly meets those requirements. So why not make some cookies grab a stained glass art kit and your favorite child or children and spend some quality time creating stained glass art?

It never hurts to be well-informed with the latest on Stained Glass. Compare what you’ve learned here to future articles so that you can stay alert to changes in the area of Stained Glass.

About the Author
By Anders Eriksson, feel free to visit this new site for my swedish customers: Billigt Webbhotell - from SEK 10:- per month!

Beginning Stained Glass Class - What Should I Expect to Learn

Friday, July 2nd, 2010

The following paragraphs summarize the work of Stained Glass experts who are completely familiar with all the aspects of Stained Glass. Heed their advice to avoid any Stained Glass surprises.

Every stained glass instructor is different, but the things you will learn from someone who has already been through the frustrations of learning the art of stained glass are invaluable. Learning in a stained glass class will save you a lot of time and grief that you would encounter if you were self-taught. You will learn the basic techniques for scoring, breaking, grinding and leading stained glass. You will also learn about the basic tools necessary to complete a stained glass project.

In your stained glass class, you will learn how to select stained glass for your projects. You will learn about different types, textures and colors of stained glass and how to optimize the use of colors in your design.

You might not create your own design for your first project. You will probably do a simple stained glass suncatcher from a pattern. Depending on the length of your stained glass class, you might also make a small stained glass panel.

You will begin by choosing glass for your stained glass project. You will learn the appropriate way to hold a scoring tool and then how to break the scored glass with your hands, groziers, or running pliers (for straight lines). You’ll be taught that scoring is done on the smoother side of the stained glass.

To successfully break the stained glass, you will learn how to score straight lines, inside curves and outside curves. Your experienced teacher will be able to show you tricks that will make these easier to do and which tools work best. He/she should have different styles of tools for you to try out so that you can choose what works best for you.

If you find yourself confused by what you’ve read to this point, don’t despair. Everything should be crystal clear by the time you finish.

You will also learn how to use a glass grinder so that you can smooth the edges of the stained glass and make adjustments so that the pieces will fit the stained glass design. As you lay the pieces of glass on the pattern, you must leave just enough space between them to make up for the thickness of the lead came or copper foil that will be wrapped around them.

You will either learn the copper foil method of stained glass or the lead came method. You will learn how to wrap and burnish the stained glass edges with copper foil. Be patient, this will take practice. You will learn how to assemble your stained glass project using lead channels. You will learn how to use cutting tools in order for you to cut and fit the came so that your stained glass project will have smooth lines and joints.

You’ll be shown different tools for wrapping foil; or, you might prefer to wrap by hand. Various burnishing tools are available. Try out different tools.

For the copper foil stained glass project, you will use flux to prepare the foil for applying solder to it. You will learn how to use a soldering iron and how to “tin” the foil by applying a flat coat of solder to all surfaces of the foil. Next, you will go back over it and apply a smooth, raised “bead” line.
In the lead came project you will learn how to solder the joints and fill the gap between the glass and lead with “putty.” The next step you will learn is how to add a patina which will turn the solder black and makes the colors of the stained glass pop out.

After you have framed the project, finally, you will learn how to clean and polish your completed stained glass panel.

Sometimes it’s tough to sort out all the details related to this subject, but I’m positive you’ll have no trouble making sense of the information presented above.

About the Author
By Anders Eriksson, feel free to visit this new site for my swedish customers: Billigt Webbhotell - from SEK 10:- per month!

How Much Will a Custom Stained Glass Window Cost?

Monday, June 21st, 2010

When you go to a stained glass artisan, don’t expect to walk in and tell him/her you want a window put in your front door and then ask, “How much will it cost?” The stained glass artisan cannot give you a quote off the top of his/her head. There is a process to arriving at a price for a stained glass window.

When you know that you want a custom stained glass window, you should arrive at the stained glass studio with some facts and ideas before you ask a stained glass artisan for a price quote. The first thing you need to know is the exact measurement of the opening. The base price of a custom built stained glass piece begins with pricing based on square footage, and then per piece. Therefore, the more intricate the piece is, the more costly.

Each stained glass artisan has his/her own pricing scale. An example of just the basis of the quote would be: $125 per square foot plus $1.50 per piece in the pattern for a stained glass window constructed with lead came. A lower charge of $110 per square foot plus $1.50 per piece might be given for a stained glass window constructed with copper foil. But that’s just the beginning.

If you don’t know what design to settle on and you request full-size cartoons (patterns) to look at on your opening, the stained glass artisan might charge $50 or more per cartoon to cover his/her extra time - especially if you decide not to have the stained glass window made.

The type of glass used in a stained glass window has bearing on the cost. For instance, red glass is more expensive than some other colors because gold is a metal used in making red glass. The brand Kokomo glass is generally more expensive than Spectrum glass. Some of the “art” glass is more expensive than other glass.

Knowledge can give you a real advantage. To make sure you’re fully informed about Stained Glass, keep reading.

Beveled glass and bevel clusters (especially if they have to be custom made) are often far more expensive than stained glass. For an individual stained glass artisan to custom make bevel clusters, it requires a lengthy process. This would increase the quoted price for your custom stained glass window.

If you decide to have gems, glass globs or faceted jewels or rondels added to the design, these will increase the price of your custom stained glass window. Some gems are more expensive than others, and these add to the intricacy of the work to be done.

Other considerations in the overall cost of your stained glass window are installation and how it will be framed and whether or not the artisan will be responsible for framing and installation. The stained glass artisan may refer you to a framer or a carpenter if the artisan does not do the installation. Other costs include things like whether or not a storm window is included or if the stained glass piece will be sandwiched and weather-sealed between two pieces of glass.

It will help the stained glass artisan to know what type of glass to choose if you know whether or not you need glass that will provide total privacy. Is there anything that you would like to bring into the stained glass design like nature or flowers? Do you want colors or just clear textures? Do you like Prairie style or Art Nouvea?

When you have a design and the glass chosen and the finished size, your stained glass artisan will be able to give you a price on your beautiful custom stained glass window.

Now you can be a confident expert on Stained Glass. OK, maybe not an expert. But you should have something to bring to the table next time you join a discussion on Stained Glass.

About the Author
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